Antony Gormley

2013

Gauge. 4 mm corten steel, 222 x 72 x 57 cm. Photography: Stephen White, London.

Place. 5 mm square section stainless steel bar, 225 x 78 x 63,5 cm. Photography: Stephen White, London.

Wake. Corten steel, 71.3 x 78.5 x 204.5 cm. Photography: Stephen White, London.

Gut X. Hollow plaster blocks made from 10 mm wall thickness of Crystacal R plaster (resin based). Re-enforced wirh wire mesh and hessian scrim, 313 x 73.5 x 69.5 cm. Photography: Stephen White, London.

2012

Corner II. Cast iron, 73 x 55 x 66 cm. Photography: Stephen White, London.

Aperture XX. 12.5 mm square section stainless steel bar, 175 x 52 x 52 cm. Photography: Stephen White, London.

Contract IV. Mild steel bar, 163 x 50 x 46 cm. Photography: Stephen White, London.

Prop II. Mild steel blocks, 172 x 50 x 65 cm. Photography: Stephen White, London.

Edge III. Cast iron, 191 x 52 x 27 cm. Installation view, Galleria Continua, San Gimignano. Photography: Ela Bialkowska, OKNO STUDIO.

2011

Resort. 1,5 mm square section stainless steel bar, 35 x 197 x 46 cm.  Installation view, Galleria Continua, San Gimignano. Photography: Ela Bialkowska, OKNO STUDIO.

2010

Level. Cast iron, 24 x 204 x 56 cm. Photography: Stephen White, London.

Transport. Iron nails, 210 x 63 x 43 cm. Permanent installation, Canterbury Cathedral, England.

Breathing Room III. Aluminium tube, 25 x 25 mm, phospor H15 and plastic spigots, 482,6 x 1693 x 895,1 cm. Installation view White Cube Mason's Yard, London, England. Photography: Stephen White, London.

Firmament IV. 75 mm square section mild steel tube and 150 mm diameter mild steelspheres, 8.4 x 19.9 x 12.5 m. Installation view Anna Schwartz Gallery, Sydney, Australia. Photography: Paul Green, Sydney.

2009

Another Singularity (China). 8 mm polypropylene  cord, 6 mm polypropylene / rubber bungee cord, steel fixings. Dimensions variable. Installation view Galeria Continua, Beijing, China. Photography: Oak Taylor-Smith, Beijing.

Standing Matter XVIII. Forged ball bearings, 187 x 52 x 36 cm. Photography: Stephen White, London.

2008

Core. Cast iron, 191 x 96 x 95 cm. Installation view Galerie Xavier Hufkens, Belgium, 2009. Photography: Allard Bovenberg, Amsterdam.

Song. Forged ball bearings, 86 x 86 x 60 cm. Photography: Stephen White, London.

Lost Horizon I. Cast iron, 32 elements, 189 x 53 x 29 cm. Installation view White Cube Mason's Yard, London, England. Photography: Stephen White, London.

2007

Quantum Cloud XXXIX (Maria). Stainless steel bar, 2 x 2 mm, 173 x 115 x 115 cm. Photography: Stephen White, London.

Space Station. Corten stee, l600 x 950 x 950 cm. Photography: Stephen White, London.

Freefall. 2 mm square section stainless steel bar, 290 x 185 x  180 cm. Photography: Stephen White, London.

2006

Time Horizon. Cast iron, 100 elements, each 189 x 53 x 29 cm. Installation view Parco Archeologico di Scolacium, Roccelletta di Borgia, Ctanzaro, Italy. Photography: Peppe Avallone.

Spine. 1.6 mm stainless steel rod, 40 x 116 x 70 cm. Photography: Stephen White, London.

2005

You. Cast iron, 193 x 48.5 x 37 cm. Photography: Stephen White, London.

2004

Before Two. Cast iron, 181 x 45 x 111 cm.

2003

Domain Field. Stainless steel bars, 4.76 x 4.76 mm. Various sizes: 287 elements, derived from moulds of local inhabitants of Newcastle-Gateshead aged 2.5 - 84 years. Installation view, BALTIC Centre for Comtenporary Art, Gateshead. Photography: Jerry Hardman-Jones.

Inside Australia. Cast alloy of iron, molybdenum, iridium, vanadium and titanium,51 elements based on 51 inhabitants of  Menzies, Western Australia. Comission for the 50th Perth International Arts Festival, Western Australia. Photography: Frances Andrijich.

2002

Under My Skin VI. 3 mm square section mild steel, 192 x 55 x 38 cm.

2001

Capacitor. Mild steel tubes: 12 mm (o/d), 5.5 mm (i/d). Mild steel rod: 5 mm x various lenghts.  Bodyform, 190 x 48 x 35 cm. Fully extended work: 271 x 242 x 229 cm.Photography: Stephen White, London.

2000

Edge II. Cast iron, 38 x 54 x 193 cm. Installation view, TUSCIAELECTA Arte Comtenporanea Nel Chianti, San Casciano Water Tower, Italy, 2002.2003. Photography: Rabatti & Domingie.

1999

Rhizome III.  Cast iron, 425 x 260 x 306 cm.

1998

Insider V, VI, VII, VIII, IX. Cast iron. Dimensions variable. Installation view Museo de Arte Comtemporaneo , Monterrey, Mexico, 2009.

1997

Cell Cycle III. 4 mm square steel wire, 97 x 95 x 102 cm. Photography: Stephen White, London.

1996

Home and the World II, 1986-1996. Lead, fiberglass, plaster, steel, air, 192 x 555 x 57 cm. Photography: Stephen White, London.

1995

Critical Mass II. Cast iron, 60 life-size elements. Variable sizes. Installation view StadtRaum, Remise, Vienna,  Austria. Photography: Stephen White, London.

1994

Lock I. Lead, fiberglass, steel, air, 92 x 59 x 127 cm. Caldic collection, Rotterdam, The Netherlands. 

1993

Passage. Concrete, 36 x 44 x 229 cm.

1992

Home of the Heart I. Concrete, 85 x 36 x 49 cm.

1991

Day. Terracotta. Approx. 200 units, height varies from 3 - 17 cm.

1990

A Case for an Angel II. Plaster, fiberglass, lead, steel, air, 197 x 858 x 46 cm. Installation view, Konsthall, Malmö, Sweden, 1993. Photography: Jan Uvelius, Malmö. Collection of Takaoka Art Museum, Toyama, Japan.

1989

Fruits of Light. Lead, air, 5 elements, each 17 x 17 x 25 cm.

1988

Tree Without Arms. Oak, 370 x 30 x 185 cm.

1987

Heart. Lead, 15 x 28 x 19 cm.

1986

Dark. Lead, fiberglass, plaster, air, 100 x 100 x 120 cm.

1985

Field. Lead, fiberglass, plaster, air, 195 x 560 x 66 cm.

1984

Tree. Lead, fiberglass, plaster, air, 472 x 60 x 30 cm.Installation view, Winnipeg Art Gallery, Manitoba, Canada.

1983

Night. Lead, fiberglass, air, 79 x 41 x 65 cm.

1982

One Apple. Apples, lead, 7 x 1110 x 7 cm.

1981

Three Bodies. Lead, fibreglass, earth, Rock: 96 x 60 x 54 cm. Pumpkin, 18 x 193 x 60 cm. Shark: 18 x 193 x 60 cm.

1980

Room. Socks, shoes, pants, trousers, shirt, pullover, vest, jacket, wood.

1979

Last Tree. Cedar wood, 25 x 85 cm.

1978

Glass Pool. Glass, 8 x 1820 mm (dia.)

1977

First Hole. Marble, 12 x 12 x 8 cm.

1973

Sleeping Place. Palster, linen, 55 x 91 x 106 cm

Antony Gormley is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space. His work has developed the potential opened up by sculpture since the 1960s through a critical engagement with both his own body and those of others in a way that confronts fundamental questions of where human being stands in relation to nature and the cosmos. Gormley continually tries to identify the space of art as a place of becoming in which new behaviours, thoughts and feelings can arise. Gormley's work has been widely exhibited throughout the UK and internationally with exhibitions at Centro Cultural Banco do Brasil, São Paulo, Rio di Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); The State Hermitage Museum, St Petersburg (2011); Kunsthaus Bregenz, Austria (2010); Hayward Gallery, London (2007); Malmö Konsthall, Sweden (1993) and Louisiana Museum of Modern Art, Humlebæk, Denmark (1989). He has also participated in major group shows such as the Venice Biennale (1982 and 1986) and Documenta 8, Kassel, Germany (1987). Permanent public works include the Angel of the North (Gateshead, England), Another Place (Crosby Beach, England), Inside Australia (Lake Ballard, Western Australia) and Exposure (Lelystad, The Netherlands). Gormley was awarded the Turner Prize in 1994, the South Bank Prize for Visual Art in 1999, the Bernhard Heiliger Award for Sculpture in 2007 and the Obayashi Prize in 2012. In 1997 he was made an Officer of the British Empire (OBE). He is an Honorary Fellow of the Royal Institute of British Architects, an Honorary Doctor of the University of Cambridge and a Fellow of Trinity and Jesus Colleges, Cambridge. Gormley has been a Royal Academician since 2003 and a British Museum Trustee since 2007. Antony Gormley was born in London in 1950. 



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