Dark Silence In Suburbia

Friday, August 2, 2013

Yola Monakhov


Tableaux (new york, part 1)





Blue China, 2011.




1948, 2012.



Of how terrible orange is, 2010.



An ongoing text, 2011.



O, 2011.




The most general fact, 2012.



Elizabeth Bishop, Louise Crane, 2012.



Prussian Night, 2012.



Mantle, 2011.



Mayflower, 2011.



Theory of Dreams, 2011.



Black Lamb and Grey Falcon, 2012.



Unnmeable, 2012.



A bright red sloop in the harbor, 2011.



But not yet, 2012.



The Essence of Man, 2011.



Of Shahs, 2011.



Gabriele, 2010.



We, 2012.






Tableaux (new york, part 2)




Untitled, unique print (exposed by mail), 2013.




Untitled, unique print, 2012.




Untitled, unique print, 2012.




Untitled, unique print, 2012.




Untitled, unique print (exposed by mail), 2013. 




Untitled, unique print, 2012.




Untitled, unique print, 2013.




Untitled, unique print, 2013.




Untitled, unique print, 2013.




Untitled, unique print, 2012.




Untitled, unique print, 2013.




Untitled, unique print, 2012.




Untitled, unique print, 2012.




Untitled, unique print, 2013.




Untitled, unique print (exposed by mail), 2013.







Empire Pictures Of The Hudson




Palisades, 2011.




Fish on a hook, 2010.




Together we'll go far, 2011.




Freight Train at Harriman, 2011.




Nuggets, 2011.




Copies, 2010.




Federal Reserve, 2008.




Wheelhouse, Glens Falls, 2010.




Banquet Hall, Indian Point, 2011.




Dam, 2011.




Celestina Wainwright-Wallis, 2009.




Elegance and Eloquence, 2007.




Rockland County, 2010.




Cavalry Cemetary, 2010.




Sing Sing Prison with bird and fawn.




Bail bonds, 2010.




Spuyten Duyvil, 2011.




Blithewood Garden, 2012.




Lock, 2010.




Hudson River School, 2010.







Photography after Dante





Seaside, 2009.




Bartender, 2009.




Cows, 2009.




Elia, 2009.




Olive Tree, 2009.




Mura, 2009.




Ragazzi di Siena, 2009.




Alfredo at home, 2009.




Girl with Plane, 2009.




Man with Children, 2009.




Piazza, 2009.




Pantheon, 2009.






Yola Monakhov Bio

 Born in Moscow, Russia. Completed MFA at Columbia University in 2007 and MA in Italian Literature in 1998. Solo Exhibits at Sasha Wolf Gallery include “Photography After Dante” and “Once Out of Nature”. Photographer for The New Yorker magazine since 2006. Received a Meredith S. Moody award from Yaddo, and a Macina di San Cresci Fellowship from Greve in Chianti. Faculty at Columbia University, Pace University, International Center of Photography, and LaGuardia Community College.




Website

Thursday, August 1, 2013

James Akerman




James Akerman, 2013. Acrylic on board, 122 x 61 cm.



Pipe, 2009. Acrylic and card on board, 122 x 61 cm.



Lady In A Ball Gown, 2007. 2007. Acrylic and dollhouse wallpaper on canvas, 105 x 85 cm.



Trampoline, 2007. Acrylic on canvas, 105 x 85 cm.



Caped Lady, 2007. Acrylic and dollhouse wallpaper on canvas, 105 x 85 cm.



Vail, 2008. Acrylic and paper on canvas, 50 x 41 cm.



Vogue, 2008. Acrylic on board.



Shoulderdust, 2009. Mixed media.



Study - Shrinetime, 2013. Mixed media.



Study . Candyfloss, 2013. Mixed media.




Study . Candyfloss II, 2012. Pencil on paper, 210 x 297 cm.



Portrait, 2008. Acrylic on canvas, 25 x 25 cm.



Even, 2013. Pencil on paper, 210 x 297 cm.




Study - Untitled I, 2012. Pencil on paper, 210 x 297 cm.




Study 2, 2008. Pencil on paper, 210 x 297 cm.



Study 3, 2012. Pencil on paper.



Study 5, 2012. Pencil on paper, 210 x 297 cm.



The Christian, 2011. Pencil on paper, 210 x 297 cm.



23 Stops, 2012. Pencil on paper, 210 x 297 cm.



Clown, 2009. Pencil on paper, 210 x 297 cm.



Red Sink, 2012. Mixed media.






James Akerman was born in Oxford 1972. His early years were spent in Grimsby, South Humberside before his family relocated to Gloucester in the early 80's.
He now lives & works in London.

Tradition & Rituals play a large part in James Akerman's work drawing on repetition with melancholic expression and Lifeless pallor are a reminder of a vibrant life, with the constant reminder of our own immortality. All the Prints & Patterns used within the Work are original pieces in there own right.

With CAPED LADY only her black dress and rings remain along with anonymous props, lonely without sentiment or intimacy.